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COC Diamond Anniversary Gala Concert
(l. to r.) Tenor Ramon Vargas, baritone Russell Braun, tenor
John Treleaven, conductor Johannes Debus
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"Baritone Russell Braun had the best
innings of all, in a first-class performance of O du mein holder
Abendstern, from Tannhauser. His feeling for the dramatic
moment, and his variety of tone and phrasing, made for the most
thorough acting job anyone could do while standing stock-still."
(Globe and Mail, 9 November 2009)
"In a vivid testament to the quality
of singers this country is producing, the finest of the trio was
GTA-based Russell Braun. Braun is at the peak of his art, mixing
a rich, flexible and powerful baritone with keen dramatic instincts.
He was galvanizing in an aria from Gounod's Roméo et Juliette
and brought a powerful intensity to his Ode to the Evening Star
from Wagner's Tannhaüser. Braun was sincere in one of the
evening's three encores, when he and Mexican tenor Ramón Vargas
blew the full house off its posteriors in the famous duet by Georges
Bizet, "Au fond du temple saint," from The Pearl Fishers."
(Toronto Star, 9 November 2009)
"Russell Braun is of course a COC
favourite. He sang Mercutio's aria with brio and elan. His warm
and mellifluous baritone blended beautifully with Vargas' in the
Bizet. Braun reserved his best for Wolfram's Ode to the
Evening Star. Taken at a very slow tempo, his was a most poetic
and heart-felt delivery that will be etched in memory."
(La Scena Musicale, 8 November, 2009)
Russell Braun embodies the
many guises of The Traveller in Death in Venice at the
Theater an der Wien
"As the Traveller, Russell Braun,
his curly dark locks tipped in devilish red, stole every scene
in which he appeared, filling the house with his lustrous voice
and over-the-top characterizations, which ranged from a ghastly
over-rouged elderly fop to an ingratiating chatterbox barber."
(Musical America,
15 October 2009)
"Russell Braun flowed as the perfidious
death messenger between the most diverse roles, devious and provoking
as a traveler, gondolier, hotel manager and so on. With his versatile
baritone he acts as fate messenger for Aschenbach, luring and
humiliating the writer, who finally succumbs to Cholera."
(Oper in Wien, 19 September 2009)
"Superlative singing from Russell
Braun in the six roles (from travelers to the God Dionysos)."
(Kronen Zeitung, 19 September 2009)
"Russell Braun supplies concise character
studies in the small roles of the hotel director, bartender, road
musician and gondolier and sings these precisely articulated with
his colorful baritone." (Klassik, 19
September 2009)
"Also excellent is Russell Braun as
Aschenbach's Dionysian-diabolical travel companion." (Salzburger
Nachrichten, 19 September 2009)
"Russell Braun...proves a great capacity
to transform among the baritone episode rolls." (Die
Presse, 18 September 2009)
"Russell Braun is convincing in the
work's many small roles." (Financial
Times, 28 September 2009)
World premiere of Peter Lieberson's "The World in Flower"
with the New York Philharmonic and Alan Gilbert
"Braun sang with a flexible, ruddy-colored
baritone and showed a natural affinity for Lieberson's shapely
melodic settings. His clarity went a long way toward making sense
out of some of the denser texts." (Opera
News, August 2009)
"Ms. DiDonato's luminous singing and
Mr. Braun's earthy authority made them effective...excellent...soloists."
(New York Times, 8 May 2009)
"Braun was at his best in the penultimate
song, an excerpt from "Leaves of Grass", where he conveyed the
profound sensuality of Whitman's lines with warmth and authority."
(Classical Source, 9 May 2009)
A human Elijah with the Calgary Philharmonic
"In the central role of Elijah, Russell
Braun vocally fit the composer's own conception of a holy man
who was "strong, zealous and, yes, even bad-tempered, angry and
brooding . . . yet borne aloft as if on angels' wings"--and did
so with consummate ease, imbuing the part with warmth and humanity."
(Calgary Herald, 18 April 2009)
Russell Braun "beyond wonderful"
as Eugene Onegin with Opera Lyra Ottawa
"Baritone Russell Braun sang the role
of the ne'er-do-well Onegin...he was convincing and effective
and his singing was beyond wonderful. He used every part of his
vocal range without any audible difficulty and this enabled him
to convey effectively the character's several states of mind (all
of them grim)." (Ottawa Citizen,
5 April 2009)
Russell Braun "Superb" "Golden" in his role
debut in the Canadian Opera Company's production of War and
Peace
"Baritone Russell Braun's Prince Andrei
Bolkonsky is golden when he forgives his faithless fiancée Natasha.
His singing has an exquisite dramatic soulfulness, even amid the
ongoing destruction wreaked by Napoleon's armies." (National
Post, 14 October 2008)
"...a breathtaking performance that
is at once mighty and touchingly human. He is one of the few opera
stars who can act as well as he sings." (Toronto
Star, 13 October 2008)
"Braun, his voice conveying both strength
and vulnerability, is an ideal Andrei, drawing us into his character's
gradual love for Natasha and his resignation at losing her."
(Eye Weekly, 13 October 2008)
"The role of Prince Andrei seems tailor-made
for Russell Braun." (ConcertNet, 10
October 2008)
"Baritone Russell Braun, in his role
debut, was an ideal Andrei. Braun's sensitive voice conveyed both
strength and vulnerability from Andrei's first glimmerings of
love to his heartbreaking death scene." (Opera
News, 10 October 2008)
"Braun's rakish, quicksilver Mercutio" stands
out in the Salzburg Festival's production of Romeo et Juliette
"..an arresting and nimble voiced
Mercutio." (Musical America, 22 August
2008)
"Dramatically, Braun took a supporting
character with little depth, and brought out a multi-sided person--jovial,
then hot-headed." (Jamilton, 2 August
2008)
"The raucous, swashbuckling fight
scene staged by B.H. Barry offers edge-of-the-seat excitement
and spills into the audience. Mercutio (Russell Braun), costumed
as a refugee from "Pirates of the Caribbean," is an expert swordsman
but falls to Tybalt (Juan Francisco Gatell) after being distracted
when a huge white canopy is cut down." (Variety,
August 2008)
Watch
Russell perform "Mab, la reine des mensonges" on Youtube
Last Updated: December 10, 2009
© 2000 Moira Johnson Consulting, All Rights
Reserved